Issue 10 – Italian Opera (October 2019)
Matthew Kofi Waldren – Verdi’s Un ballo in maschera
John Andrews – Wolf-Ferrari’s Il secreto di Susanna
Friedrich Haider – Wolf-Ferrari’s I gioielli della Madonna
Issue 9 – The French Connection (July 2019)
Michael Stern – Saint-Saëns’ Symphony No.3 ‘Organ’
Theirry Fischer – Berlioz’s Symphonie Fantastique
Scott Wilson – Audience Engagement (Debussy/Ravel)
Issue 8 – Visual and Alternative Communication (April 2019)
Andrew Gourlay – Rachmaninov’s Isle of the Dead
Holly Mathieson – Rhetorical Gesture
Charles Hazlewood – The British Paraorchestra
Issue 7 – From Across the Pond (January 2019)
Leonard Slatkin – Copland’s Third Symphony (FREE ACCESS)
Brett Mitchell – Gershwin’s Piano Concerto in F (FREE ACCESS)
Ben Palmer – John Williams’s Films with Live Orchestra (FREE ACCESS)
Issue 6 – Vocal Music of Germany/Austria (October 2018)
Professor John Butt – Bach’s Mass in B Minor
George Jackson – Mozart’s Così fan tutte
*Bonus Interview* Jakub Hrůša – Conducting Opera (Bizet/Britten/Mozart)
Issue 5 – Travelling East (July 2018)
Susanna Malkki – Stravinsky’s The Rite of Spring
Nurhan Arman – Tchaikovsky’s Serenade for Strings
Jonathan Lo – Xi’an Symphony Orchestra
Summer 2018
George Jackson – Mozart’s Così fan tutte (FREE ACCESS)
Issue 4 – Conducting for Dance (April 2018)
Paul Hoskins – Haydn’s The Creation
Gavin Sutherland – Tchaikovsky’s Swan Lake
Paul Murphy – Britten’s The Prince of the Pagodas
Issue 3 – The Early Symphonies (January 2018)
Ben Palmer – Haydn’s Symphonies
Peter Stark – Beethoven’s Symphony No. 1
Mark Wigglesworth – Beethoven’s Symphony No. 3 ‘Eroica’
Issue 2 Conducting Opera Part II (October 2017)
Stephen Barlow – Stravinsky’s The Rake’s Progress
Sir Mark Elder – Stravinsky’s The Rake’s Progress
Leo McFall – Britten’s The Turn of the Screw
Christopher Stark – Britten’s The Turn of the Screw
Duncan Ward – Donizetti’s Don Pasquale
Issue 1 Conducting Opera Part I (July 2017)
Sir Mark Elder – The Bel Canto repertoire
Richard Farnes – Bartok’s Bluebeards’s Castle
Pablo Gonzalez – Mozart’s Don Giovanni
Danielle de Niese (soprano) – on her working relationship with conductors