Notes from the podium

Jonathan Kent CBE on Directing Opera (Britten, Puccini, Mozart, Purcell)

Published on 4th October 20234th October 2023 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading

13th July 2023 Jonathan Kent’s opera productions include Mozart’s Don Giovanni, Britten’s The Turn of the Screw (Glyndebourne Festival...

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Robyn Bollinger on the Role of the Concertmaster (Tchaikovsky)

Published on 4th October 20234th October 2023 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading

6th September 2023 Daring, versatile, and charismatic, American violinist Robyn Bollinger was appointed Concertmaster of the Detroit Symphony Orchestra...

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Václav Luks on Zelenka

Published on 4th October 202330th March 2024 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading

Photo: Petra Hajská, 2018 4th September 2023 Václav Luks studied at the Pilsen Conservatoire and the Academy of Performing...

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Issue 25: Broadening the Scope

Published on 8th July 20238th July 2023 / Dr Hannah Baxter Posted in Public Continue reading

Welcome. In this issue we’re broadening the scope of Notes from the Podium. Alongside a fascinating in-depth interview with […]

Sir David Bintley on the Matthew Hindson Ballets

Published on 8th July 20238th July 2023 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading

May 1st 2023 David Bintley joined Sadler’s Wells Royal Ballet after graduating from The Royal Ballet School in 1976....

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John Andrews on Dame Ethel Smyth’s Der Wald

Published on 8th July 20238th July 2023 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading

(Photo: Katharine Andrews) 31st May 2023 John Andrews is Principal Guest Conductor of the National Symphony Orchestra and...

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TÁR Review: It’s a Masterpiece

Published on 8th July 20239th August 2023 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading

(updated 9th August 2023) Introduction The TÁR zeitgeist may have come and gone, but an in-depth review of this...

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Notes from the podium

Jonathan Kent CBE on Directing Opera (Britten, Puccini, Mozart, Purcell)

Robyn Bollinger on the Role of the Concertmaster (Tchaikovsky)

Václav Luks on Zelenka

Issue 25: Broadening the Scope

Sir David Bintley on the Matthew Hindson Ballets

John Andrews on Dame Ethel Smyth’s Der Wald

TÁR Review: It’s a Masterpiece

Issue 24: Turn of the Century Women

Odaline de la Martínez on Dame Ethel Smyth

Tiffany Chang on Puccini’s Tosca