27th November 2020 Conductor and Orchestrator Mark Warman teaches the craft of Musical Direction at the Royal Academy of Music...
Notes from the Podium Members Only
Dame Jane Glover on Monteverdi’s Il Combattimento di Tancredi e Clorinda
21st October 2020 Acclaimed British conductor Dame Jane Glover has been Music of the Baroque’s Music Director since 2002. She...
Barbara Hannigan on Berg’s Lulu Suite
10th July 2020 Embodying music with an unparalleled dramatic sensibility, soprano and conductor Barbara Hannigan is an artist at the...
Sir Andrew Davis on Berg’s Lulu
22nd July 2020 Sir Andrew Davis is the Music Director and Principal Conductor of the Lyric Opera of Chicago. Maestro...
Leo McFall on Rachmaninoff’s Symphony No. 3
7th September 2020 Leo McFall is currently starting his tenure as Chief Conductor of the Symphonieorchester Vorarlberg. Winner of the...
Paul Bateman on Overtures
14th May 2020 Paul Bateman studied piano, organ, singing and cello at the Guildhall School of Music in London, and...
Karina Canellakis on Wagner’s Die Walküre (Act I)
29th May 2020 Karina Canellakis is the newly appointed Chief Conductor of the Netherlands Radio Philharmonic Orchestra and Principal Guest...
Scott Wilson on Teaching Conducting
14th April 2020 London-based Australian conductor Scott Wilson held the positions of Zander Fellow with the Boston Philharmonic Orchestra, Fellow...
Fabien Gabel on Debussy’s La mer, trois esquisses symphoniques pour orchestre
Telephone Interview 11th October 2019 Hailed as ‘boldly evocative’, Fabien Gabel is recognized internationally as one of the stars of...
Gemma New on Mendelssohn’s Symphony No. 3 ‘Scottish’
Telephone Interview 29th October 2019 Sought after for her insightful interpretations and dynamic presence, New Zealand-born Gemma New is a...