Brett Dean on Hamlet (2017) Published on 7th December 20227th December 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading 5th May 2016 Brett Dean studied in his hometown, Brisbane, before moving to Germany in 1984 where he was... This content is for Standard and Standard Monthly members only.Log In Register
Scott Wilson on Adamo’s Little Women Published on 5th October 202220th October 2023 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading 25th August 2022 London-based Australian conductor Scott Wilson was Zander Fellow with the Boston Philharmonic Orchestra, Artist in Residence... This content is for Standard and Standard Monthly members only.Log In Register
Progress, Not Perfection: Practical Ways of Integrating DEI into Student Orchestra Programs Published on 5th October 20225th October 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading by Dr. Thomas Dickey Gold Prize Winner in the 2022 World Classical Music Awards and the 2nd Prize Winner... This content is for Standard and Standard Monthly members only.Log In Register
David Newman on Conducting in Hollywood Published on 1st July 20221st July 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading (Photo: Alan Weisman) 24th March 2022 David Newman is one of today’s most accomplished creators of music for film.... This content is for Standard and Standard Monthly members only.Log In Register
Simon Beck on Bernstein’s West Side Story Published on 1st July 20221st July 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading 20th May 2022 Simon studied conducting, piano and French horn at the Guildhall School of Music and Drama, London.... This content is for Standard and Standard Monthly members only.Log In Register
Aaron Copland’s Emblems: A Theoretical and Formal Analysis Published on 1st July 20225th October 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading by Dr. Thomas R. Erdmann Hailed as “The Master” by Saxophone Journal and whose articles are described as “always... This content is for Standard and Standard Monthly members only.Log In Register
Aidan Oliver on Holst’s The Hymn of Jesus Published on 3rd April 20223rd April 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading 21st January 2022 Aidan Oliver is a conductor and chorus director working at the heart of the UK’s musical... This content is for Standard and Standard Monthly members only.Log In Register
Paul McCreesh on Elgar’s The Dream of Gerontius Published on 3rd April 20223rd April 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading Paul McCreesh is renowned for the energy and passion of his musicianship and the interpretative insight he brings to repertoire... This content is for Standard and Standard Monthly members only.Log In Register
Leadership Insights from the Podium: Achieving Harmony in Search of a Shared Vision Published on 3rd April 20223rd April 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading by Robert Lehmann & Elizabeth Goryunova Robert is an orchestral conductor, violinist, and professor at the University of Southern... This content is for Standard and Standard Monthly members only.Log In Register
Courtney Lewis on Dvořák Symphony No. 7 Published on 7th January 20227th January 2022 / Dr Hannah Baxter Posted in Notes from the Podium Members Only Continue reading October 12th 2021 With clear artistic vision, subtle musicality and innovative programming, Courtney Lewis has established himself as one... This content is for Standard and Standard Monthly members only.Log In Register
