by Dr. Thomas Dickey Gold Prize Winner in the 2022 World Classical Music Awards and the 2nd Prize Winner...
Notes from the Podium Members Only
David Newman on Conducting in Hollywood
Simon Beck on Bernstein’s West Side Story
Aaron Copland’s Emblems: A Theoretical and Formal Analysis
Aidan Oliver on Holst’s The Hymn of Jesus
21st January 2022 Aidan Oliver is a conductor and chorus director working at the heart of the UK’s musical...
Paul McCreesh on Elgar’s The Dream of Gerontius
Paul McCreesh is renowned for the energy and passion of his musicianship and the interpretative insight he brings to repertoire...
Leadership Insights from the Podium: Achieving Harmony in Search of a Shared Vision
by Robert Lehmann & Elizabeth Goryunova Robert is an orchestral conductor, violinist, and professor at the University of Southern...
Courtney Lewis on Dvořák Symphony No. 7
October 12th 2021 With clear artistic vision, subtle musicality and innovative programming, Courtney Lewis has established himself as one...
Martin West on Prokofiev’s Cinderella
27th October 2021 Martin West is acknowledged as one of the foremost conductors of ballet, garnering critical acclaim throughout...
The Orchestral Music of George Walker: A Guide for his Centennial
by Jonathan Hirsh The year 2022 provides an opportunity for the world to celebrate the one hundredth anniversary of...