by Dr. Thomas R. Erdmann Hailed as “The Master” by Saxophone Journal and whose articles are described as “always...
Notes from the Podium Members Only
Aidan Oliver on Holst’s The Hymn of Jesus
21st January 2022 Aidan Oliver is a conductor and chorus director working at the heart of the UK’s musical...
Paul McCreesh on Elgar’s The Dream of Gerontius
Paul McCreesh is renowned for the energy and passion of his musicianship and the interpretative insight he brings to repertoire...
Leadership Insights from the Podium: Achieving Harmony in Search of a Shared Vision
by Robert Lehmann & Elizabeth Goryunova Robert is an orchestral conductor, violinist, and professor at the University of Southern...
Courtney Lewis on Dvořák Symphony No. 7
October 12th 2021 With clear artistic vision, subtle musicality and innovative programming, Courtney Lewis has established himself as one...
Martin West on Prokofiev’s Cinderella
27th October 2021 Martin West is acknowledged as one of the foremost conductors of ballet, garnering critical acclaim throughout...
The Orchestral Music of George Walker: A Guide for his Centennial
by Jonathan Hirsh The year 2022 provides an opportunity for the world to celebrate the one hundredth anniversary of...