{"id":606,"date":"2020-01-02T10:46:41","date_gmt":"2020-01-02T10:46:41","guid":{"rendered":"https:\/\/www.notesfromthepodium.co.uk\/?p=606"},"modified":"2020-01-02T10:49:41","modified_gmt":"2020-01-02T10:49:41","slug":"issue-11-around-the-british-isles","status":"publish","type":"post","link":"https:\/\/www.notesfromthepodium.co.uk\/?p=606","title":{"rendered":"Issue 11: Around the British Isles"},"content":{"rendered":"\n<p>Happy New Year and Decade to\nyou all. All the interviews in this issue are on pieces written in or inspired\nby the British Isles (although not recently, mind!).<\/p>\n\n\n\n<p>Fabien Gabel is Music Director of both the Orchestre Symphonique de Qu\u00e9bec the Orchestre Fran\u00e7ais des Jeunes, and chose to discuss Debussy\u2019s <em>La mer, trois esquisses symphoniques pour orchestra<\/em>. Born in Paris, Fabien is a specialist in French orchestral music, and grew up with numerous musicians that personally knew and worked with composers such as Debussy and Ravel. It\u2019s well known that the composer corrected the proofs for this piece in Eastbourne\u2019s Grand Hotel; he stayed in Suite 200, now known as the \u2018Debussy Suite\u2019. Fabien\u2019s fantastic performance with the Detroit Symphony in 2015 can be seen <a href=\"https:\/\/www.youtube.com\/watch?v=I-kZN97ir_4 \">here<\/a>.<\/p>\n\n\n\n<p>Mendelssohn\u2019s Symphony No. 3 \u2018Scottish\u2019 is the focus of the second interview. Gemma New, Music Director of the Hamilton Philharmonic Orchestra, has an intimate knowledge of Mendelssohn\u2019s music, having spent a month in Germany on a Felix Mendelssohn Bartholdy scholarship. She also studied with both Kurt Masur and Herbert Blomstedt, and generously passes on some of the wisdom she acquired from both the scholarship and the great maestros. The composer\u2019s visit to Fingal\u2019s Cave and Holyrood Palace in Scotland in 1829 (aged 20) inspired both <em>The Hebrides <\/em>Overture and &#8216;Scottish&#8217; Symphony respectively. Gemma is incredibly engaging and her interview is sure to shed a new light on one of Mendelssohn\u2019s most acclaimed works.<\/p>\n\n\n\n<p>John Andrews, Principal Guest Conductor of the National Symphony Orchestra, Conductor-in-Association with the English Symphony Orchestra and Principal Conductor of the International Composers\u2019 Festival, appeared in the last issue (talking about Wolf-Ferrari\u2019s <em>Il Segreto di Susanna <\/em>\u2013 click <a href=\"https:\/\/www.notesfromthepodium.co.uk\/?p=553\">here<\/a> for the interview). He kindly returned to discuss Sullivan\u2019s <em>Haddon Hall<\/em>, a work he recently recorded with the BBC Singers and BBC Concert Orchestra. It was broadcast on 19<sup>th<\/sup> December 2019 and can be heard until 17th January (click <a href=\"https:\/\/www.bbc.co.uk\/programmes\/m000ccmx\">here<\/a> to listen). Set in the stunning and intriguing stately home in Derbyshire, there couldn\u2019t be a more English work to complete the trio.<\/p>\n\n\n\n<p>Happy Reading! <\/p>\n\n\n\n<p>Dr. Hannah Baxter<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Happy New Year and Decade to you all. All the interviews in this issue are on pieces written in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-606","post","type-post","status-publish","format-standard","hentry","category-public","pmpro-has-access","clearfix"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8YX8Q-9M","_links":{"self":[{"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=606"}],"version-history":[{"count":4,"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/606\/revisions"}],"predecessor-version":[{"id":613,"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/606\/revisions\/613"}],"wp:attachment":[{"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.notesfromthepodium.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}