Issue 36: A Matter of Principals (April 2026)<\/p>\n
Suzy Willison-Kawalec – Principal Harp, Royal Philharmonic Orchestra<\/a><\/p>\n Scott Dickinson – Principal Viola, Philharmonia<\/a><\/p>\n Robin O’Neill – Principal Bassoon, Philharmonia<\/a><\/p>\n Issue 35: A Matter of Principals (January 2026)<\/p>\n Olivier Stankiewicz \u2013 Principal Oboe, London Symphony Orchestra<\/a><\/p>\n Andy Barclay \u2013 Principal Percussion, London Philharmonic Orchestra\u00a0<\/a><\/p>\n Stacey Watton – Conductor\/Principal Double Bassist<\/a><\/p>\n Mark Templeton – Principal Trombone, London Philharmonic Orchestra<\/a><\/p>\n Issue 34: We Go Way Back (October 2025)<\/p>\n Jeffrey Kahane \u2013 The Ancient Classics in Classical Music<\/a><\/p>\n Diego Incertis – Principal Horn, London Symphony Orchestra<\/a><\/p>\n Issue 33: The Tone Poem (July 2025)<\/p>\n Alexander Shelley \u2013 Strauss’ Don Juan<\/a><\/p>\n Imogen Whitehead \u2013 Principal Trumpet of Britten Sinfonia<\/a><\/p>\n James Gaffigan \u2013 Debussy’s Pr\u00e9lude \u00e0 l’apr\u00e8s-midi d’un faune<\/em><\/a><\/p>\n Issue 32: Our Collaborators II (April 2025)<\/p>\n John Andrews \u2013 Errollyn Wallen: Orchestral Works<\/a><\/p>\n Kristina Blaumane \u2013 Principal Cello of the London Philharmonic Orchestra<\/a><\/p>\n Emer McDonough \u2013 Principal Flute of the Royal Philharmonic Orchestra<\/a><\/p>\n Issue 31: Love and Disorder (January 2025)<\/p>\n David Stern \u2013 Articulation in Mozart’s Don Giovanni<\/em><\/a><\/p>\n Friedrich Haider \u2013 Wolf-Ferrari’s Quando ti vidi<\/em> (arr. Haider) (FREE ACCESS)<\/strong><\/a><\/p>\n Issue 30: The Giants and the Underdogs (October 2024)<\/p>\n John Carewe \u2013 Musical Structure<\/a><\/p>\n Ton Koopman \u2013 Bach’s Matth\u00e4us<\/em>–Passion<\/em><\/a><\/p>\n Issue 29: Learning the Ropes (July 2024)<\/p>\n Thomas Jung – Britten’s Sinfonia da Requiem<\/em><\/a><\/p>\n (See the Article Archive for other content)<\/p>\n Issue 28: As Big as it Gets (April 2024)<\/p>\n Thomas Jung \u2013 Tchaikovsky’s\u00a0The Nutcracker<\/i><\/a><\/p>\n Charlotte Politi \u2013 Tchaikovsky’s\u00a0The Nutcracker<\/em><\/a><\/p>\n (See the Article Archive for Maestro<\/em> Review)<\/p>\n Issue 27: Behind the Colourful Scenes (January 2024)<\/p>\n Tiffany Chang – Rehearsals<\/a><\/p>\n Chris Hopkins – Bliss’ A Colour Symphony<\/em><\/a><\/p>\n Vasily Petrenko – Mental and Physical Preparation for Concerts<\/a><\/p>\n Issue 26: Our Collaborators (October 2023)<\/p>\n Jonathan Kent OBE – Directing Opera<\/a><\/p>\n Robyn Bollinger – The Role of the Concertmaster (Tchaikovsky)<\/a><\/p>\n V\u00e1clav Luks – Zelenka\u00a0<\/a><\/p>\n Issue 25: Broadening the Scope (July 2023)<\/p>\n Sir David Bintley – The Matthew Hindson Ballets<\/a><\/p>\n John Andrews – Dame Ethel Smyth’s Der Wald<\/em><\/a><\/p>\n (See the Article Archive for content by other authors)<\/p>\n Issue 24: Turn of the Century Women (April 2023)<\/p>\n Odaline de la Mart\u00ednez – Dame Ethel Smyth (FREE ACCESS)<\/strong><\/a><\/p>\n Tiffany Chang – Puccini’s Tosca<\/em> (FREE ACCESS)<\/strong><\/a><\/p>\n Chris Hopkins – Kashperova’s Piano Concerto in A (FREE ACCESS)<\/strong><\/a><\/p>\n Issue 23: The Overlooked (January 2023)<\/p>\n Sir Roger Norrington – Schumann’s Symphonies<\/a><\/p>\n Cayenna Ponchione-Bailey – The Orchestral Music of Afghanistan<\/a><\/p>\n Simon Beck – Rodgers and Hammerstein’s Carousel<\/em><\/a><\/p>\n Issue 22: Contemporary Opera (October 2022)<\/p>\n Brett Dean – Hamlet (2017)<\/a><\/p>\n Scott Wilson – Adamo’s Little Women <\/a><\/p>\n (see the Article Archive for the content by other authors)<\/p>\n Issue 21: The All-American (July 2022)<\/p>\n David Newman – Conducting in Hollywood<\/a><\/p>\n Simon Beck – Bernstein’s West Side Story<\/em><\/a><\/p>\n (see the Article Archive for the content by other authors)<\/p>\n Issue 20: British Choral Music (April 2022)<\/p>\n Aidan Oliver – Holst’s The Hymn of Jesus<\/em><\/a><\/p>\n Paul McCreesh – Elgar’s The Dream of Gerontius<\/em><\/a><\/p>\n (see the Article Archive for the content by other authors)<\/p>\n Issue 19: Through Bohemia to Russia (January 2022)<\/p>\n Courtney Lewis – Dvo\u0159\u00e1k’s Symphony No. 7<\/a><\/p>\n JoAnn Falletta – Rimsky-Korsakov’s Scheherazade<\/em> (FREE ACCESS)<\/strong><\/a><\/p>\n Martin West – Prokofiev’s Cinderella<\/em><\/a><\/p>\n Issue 18 – New Chapters (October 2021)<\/p>\n JoAnn Falletta – Respighi’s Pines of Rome<\/em> (FREE ACCESS)<\/strong><\/a><\/p>\n Robert Franz – Concertos of Cimarosa, Leo and Wassenaer<\/a><\/p>\n (see the Article Archive for the content by other authors)<\/p>\n Issue 17 – Escaping the Canon Part II (July 2021)<\/p>\n David White – Kander’s Cabaret<\/em> (FREE ACCESS)<\/strong><\/a><\/p>\n Gavin Greenaway – Film Conducting: How to Train Your Dragon <\/em>(Powell) and Interstellar <\/em>(Zimmer)<\/a><\/p>\n Jack Wall – Video Games Live<\/em> and Call of Duty: Black Ops 2<\/em><\/a><\/p>\n Issue 16 – Escaping the Canon (April 2021)<\/p>\n David Firman – Lloyd Webber’s Jesus Christ Superstar<\/em> and Victoria Wood<\/a><\/p>\n Gareth Valentine – Kander’s Chicago<\/em><\/a><\/p>\n Rev. Bazil Meade MBE – London Community Gospel Choir<\/a><\/p>\n Issue 15 – Conflict and Collaboration (January 2021)<\/p>\n Mark Warman – Scott Walker collaboration (inc. films\u00a0Vox Lux\u00a0<\/em>and\u00a0Childhood of a Leader<\/em>) <\/a><\/p>\n Dame Jane Glover – Monteverdi’s Il Combattimento di Tancredi e Clorinda<\/em><\/a><\/p>\n George Jackson – Mozart’s Le nozze di Figaro<\/em> (FREE ACCESS)<\/strong><\/a><\/p>\n Issue 14 – Contrasts in the 1930s (October 2020)<\/p>\n Barbara Hannigan – Berg’s\u00a0Lulu\u00a0<\/em>Suite<\/a><\/p>\n Sir Andrew Davis – Berg’s\u00a0Lulu<\/em><\/a><\/p>\n Leo McFall – Rachmaninoff’s Symphony No. 3<\/a><\/p>\n Summer 2020<\/p>\n Benjamin Zander – Beethoven’s Symphony No. 9 (FREE ACCESS)<\/strong><\/a><\/p>\n Issue 13 – Lockdown Lucky Dip (July 2020)<\/p>\n Paul Bateman – Overtures<\/a><\/p>\n Karina Canellakis – Wagner’s\u00a0Die Walk\u00fcre <\/em>(Act I)<\/a><\/p>\n Scott Wilson – Teaching Conducting<\/a><\/p>\n Issue 12 – Strictly and Stravinsky (April 2020)<\/p>\n Dave Arch – Strictly Come Dancing (FREE ACCESS)<\/strong><\/a><\/p>\n Ormsby Wilkins – Stravinsky’s Apollo<\/em><\/a><\/p>\n Issue 11 – Around the British Isles (January 2020)<\/p>\n Fabien Gabel – Debussy’s La mer, trois esquisses symphoniques pour orchestre<\/em><\/a><\/p>\n Gemma New – Mendelssohn’s Symphony No. 3 ‘Scottish’<\/a><\/p>\n John Andrews – Sullivan’s Haddon Hall<\/em><\/a><\/p>\n Issue 10 – Italian Opera (October 2019)<\/p>\n Matthew Kofi Waldren – Verdi’s Un ballo in maschera<\/em><\/a><\/p>\n John Andrews – Wolf-Ferrari’s Il secreto di Susanna<\/em><\/a><\/p>\n Friedrich Haider – Wolf-Ferrari’s I gioielli della Madonna<\/em><\/a><\/p>\n Issue 9 – The French Connection (July 2019)<\/p>\n Michael Stern –\u00a0Saint-Sa\u00ebns’ Symphony No.3 \u2018Organ\u2019<\/a><\/p>\n Theirry Fischer – Berlioz’s\u00a0Symphonie Fantastique<\/em><\/a><\/p>\n Scott Wilson – Audience Engagement (Debussy\/Ravel)<\/a><\/p>\n Issue 8 – Visual and Alternative Communication (April 2019)<\/p>\n Andrew Gourlay – Rachmaninoff’s Isle of the Dead<\/em><\/a><\/p>\n Holly Mathieson – Rhetorical Gesture<\/a><\/p>\n Charles Hazlewood – The British Paraorchestra<\/a><\/p>\n Issue 7 – From Across the Pond (January 2019)<\/p>\n Leonard Slatkin – Copland’s Third Symphony <\/a><\/p>\n Brett Mitchell – Gershwin’s Piano Concerto in F <\/a><\/p>\n Ben Palmer – John Williams’s Films with Live Orchestra <\/a><\/p>\n Issue 6 – Vocal Music of Germany\/Austria (October 2018)<\/p>\n Professor John Butt – Bach’s Mass in B Minor<\/a><\/p>\n George Jackson – Mozart’s\u00a0C<\/em>os\u00ec<\/em>\u00a0fan tutte\u00a0<\/em>\u00a0<\/a><\/p>\n Hans Graf – Berg’s\u00a0Wozzeck<\/em><\/a><\/p>\n *Bonus Interview* Jakub Hr\u016f\u0161a – Conducting Opera (Bizet\/Britten\/Mozart)<\/a><\/p>\n Issue 5 \u2013 Travelling East (July 2018)<\/p>\n Susanna Malkki \u2013 Stravinsky\u2019s The Rite of Spring<\/em><\/a><\/p>\n Nurhan Arman \u2013 Tchaikovsky\u2019s Serenade for Strings<\/a><\/p>\n Jonathan Lo \u2013 Xi’an Symphony Orchestra<\/a><\/p>\n Summer 2018<\/p>\n George Jackson – Mozart’s\u00a0Cos\u00ec<\/em> fan tutte\u00a0<\/em>(FREE ACCESS)<\/strong><\/a><\/p>\n Issue 4 \u2013 Conducting for Dance (April 2018)<\/p>\n Paul Hoskins \u2013 Haydn\u2019s The Creation<\/em><\/a><\/p>\n Gavin Sutherland \u2013 Tchaikovsky\u2019s Swan Lake<\/em><\/a><\/p>\n Paul Murphy \u2013 Britten\u2019s The Prince of the Pagodas<\/em><\/a><\/p>\n Issue 3 \u2013 The Early Symphonies (January 2018)<\/p>\n Ben Palmer \u2013 Haydn\u2019s Symphonies<\/a><\/p>\n Peter Stark \u2013 Beethoven\u2019s Symphony No. 1<\/a><\/p>\n Mark Wigglesworth \u2013 Beethoven\u2019s Symphony No. 3 \u2018Eroica\u2019<\/a><\/p>\n Issue 2 \u2013 Conducting Opera Part II (October 2017)<\/p>\n Stephen Barlow \u2013 Stravinsky\u2019s The Rake\u2019s Progress<\/em><\/a><\/p>\n